Israeli Nazi... Porn?

Strange, but true, I guess... The New York Times Jerusalem Journal by Isabel Kershner:

Israel’s Unexpected Spinoff From a Holocaust Trial

JERUSALEM, Sept. 5 — It was one of Israel’s dirty little secrets. In the early 1960s, as Israelis were being exposed for the first time to the shocking testimonies of Holocaust survivors at the trial of Adolf Eichmann, a series of pornographic pocket books called Stalags, based on Nazi themes, became best sellers throughout the land.

Perverse Tales

The books told perverse tales of captured American or British pilots being abused by sadistic female SS officers outfitted with whips and boots. The plot usually ended with the male protagonists taking revenge, by raping and killing their tormentors.

This strangely dovetails with how Arab states are viewing Israeli pornography websites today:

The most popular movie on the site is "Code Name: Deep Investigation," an X-rated parody of the arrest of dissident Israeli nuclear scientist Mordechai Vanunu, who spilled the beans on Israel's secret nuclear weapons program in the 1980s. He was eventually caught by Mossad agents, who sent a beautiful female agent to trap him.

Life imitaties art, imitates life... through a world of vengeful, sadistic porn. Very weird, but can you blame the Israelis after what they went through? However, these publications should be of no surprise to anyone familiar with men's Pulp adventure magazines from the 1950's and '60s here in America. It's A Man's World, published in 2003, documents the post-war fad, with commentary and a number of color photographs. A review on Amazon:

Alternately called "adventure magazines" and "armpit slicks," publications like True West, American Manhood and Challenge for Men enjoyed their heyday from the early 1950s through the early '70s. With their campy cover paintings of men at war, hunks on horseback and buxom women, these magazines gave blue collar workers "warnings, how-to's, and comforting memories of wartime." For Parfrey, they're worth looking at today because "they tell us so much about American working-class fears, desires and wet dreams." Parfrey intersperses this collection of full-color reproductions with essays by contributors on subjects ranging from exotica and "the sadistic burlesque" to the Cold War. The essays will be helpful to readers trying to make sense out of such images as UFOs closing their clamp-like hands around fretting females with their shirts unbuttoned (from Peril: The All Man's Magazine), and a burly, shirtless man straddling a flagpole flying a torn American flag (from Climax: Exciting Stories for Men).